Cartoon a Day: Conrad the Sailor
Conrad the Sailor
1942
Directed by Chuck Jones (as Charles M. Jones)
Available on: Looney Tunes Golden Collection Vol. 4
"Conrad the Sailor" is an interesting little short. It seems pretty simple on first viewing but it's actually pretty experimental in many ways.
The short features the character Conrad the Cat, who only appeared in a handful of shorts. Here he is a sailor cleaning the deck of a ship, which is realized beautifully by an uncredited background artist named John McGrew, who, according to the DVD commentary track, left Warner Brothers and joined the Navy shortly after this short was made.
For some unknown reason, Daffy Duck is hanging out on the deck of the ship and proceeds to cause all kinds of trouble for Conrad, who by the way is voiced by the voice of Goofy, Pinto Colvig. The gags are pretty simple, but there are many little things that show the experimental nature of this film. The sequence toward the end with Daffy riding a missile is a great example as there are many unique angles and changes in point of view used to great comic effect.
The best gag of the film is a recurring one where Conrad and Daffy always stop and salute as the admiral passes by. This happens several times in the film, but the best is the last time where the two characters not only stop and salute, but so does the missile which is chasing them.
This isn't a bust-your-gut hilarious short, but it is highly original and shows the innovation that was continuously going on at Warner Brothers.


As the short progresses, the crooks get injured in various ways, sometimes by Droopy and sometimes by their own stupidity. Each time they get hurt, they quickly run to the outskirts of town to scream in pain, safely out of earshot of the sheriff. This happens over and over and over again. There are slight variations (the one where the crooks screams into a milk bottle and then the other one takes it outside to release the sounds is a favorite of mine), but it is pretty much the same gag...and it works! 





Of course, probably the best aspect of "Music Land" is the music itself, which serves not just as the score but as the dialogue track as well. The timing of the visuals to the music is perfect and represents a huge step forward for the studio on the path to making "








The Silly Symphonies were very much a workshop of sorts for Disney's artists. The animators were clearly trying new things with this short. There are a lot of advances in the design of some of the animal characters, and the design of Noah and his sons have some good aspects, but they aren't quite there yet on the female characters. The wives of Noah's sons don't exactly have a wide range of expression, but the Disney crew would improve female designs as the series continued.










